Tone Atlas Beta

Fender Model Guide

Mono: Produces clear digital repeats with distinctive character, modulation and variable fidelity options that range from pristine to intentionally degraded.

• TIME Adjusts time before first repeat is heard.
• TAP DIVISION Synch delay time to the beat by selecting a subdivision of the current tempo.
• FEEDBACK Adjusts number of delay repeats.
• MIX Adjusts delay effect level.
• MULTIPLY Adjusts multiplier factor for current delay times. Works in tandem with the Lo-Fi switch to determine high-frequency filtering. X1: Multiplies delay times by 1, high-frequency filter at 12kHz X2: Multiplies delay times by 2, high-frequency filter at 6kHz X4: multiplies delay times by 4, high-frequency filter at 3kHz X8: multiplies delay times by 8, high-frequency filter at 1.5kHz Multiply setting has no tonal effect when Lo-Fi set to OFF
• LO-FI Enables high-frequency filtering depending on which Multiply setting is selected. Delay is full-bandwidth when Lo-Fi is disabled.
• MOD TYPE Selects sine or triangle delay modulation type.
• MOD RATE Adjusts delay modulation speed.
• MOD DEPTH Adjusts delay modulation depth.
• HOLD When enabled, repeats delay buffer contents until Hold is disabled.
• SPILLOVER SWITCH Select to continue hearing delay repeats after effect has been bypassed.

Stereo: Adds stereo routing flexibility and wide imaging to the distinctive character of Prime Delay. **CONTROLS** • TIME A: Adjusts time before first repeat is heard for Delay A. • TIME B: Adjusts time before first repeat is heard for Delay B. • FEEDBACK: Adjusts number of delay repeats. • TAP DIVISION A: Selects subdivision of current tempo to use for setting effect speed for delay A. • TAP DIVISION B: Selects subdivision of current tempo to use for setting effect speed for delay B. • MIX: Adjusts delay effect level. • PAN A: Adjusts delay A stereo panning. • PAN B: Adjusts delay B stereo panning. • ST MODE: Adjusts how both delay lines interact in the stereo field. Parallel: Delay lines are independent and do not interact. Prime: Both delay feedback paths are summed and fed back to both delay inputs. Criss Cross: Delay feedback paths are swapped, delay A feedback path is fed into delay B input; delay B feedback path is fed into delay A input. Series: Delay A feeds directly into delay B input; feedback paths are independent Ping-Pong: Delay feedback paths are swapped as in Criss Cross, except that the input signal only feeds delay A. • MOD TYPE: Selects sine or triangle delay modulation type. • MOD RATE: Adjusts delay modulation speed. • MOD DEPTH: Adjusts delay modulation depth. • MULTIPLY: Adjusts multiplier factor for current delay times. Works in tandem with the Lo-Fi switch to determine high-frequency filtering. X1: Multiplies delay times by 1, high-frequency filter at 12kHz X2: Multiplies delay times by 2, high-frequency filter at 6kHz X4: multiplies delay times by 4, high-frequency filter at 3kHz X8: multiplies delay times by 8, high-frequency filter at 1.5kHz Multiply setting has no tonal effect when Lo-Fi set to OFF • LO-FI: Enables high-frequency filtering depending on which Multiply setting is selected. Delay is full-bandwidth when Lo-Fi is disabled. • HOLD: When enabled, repeats delay buffer contents until Hold is disabled. • SPILLOVER SWITCH: Select to continue hearing delay repeats after effect has been bypassed.

From the Fender Tone Master Pro Model Guide